MULTI-FACETED MUSICIAN...
Steve Thomas is a multi-faceted musician, audio creative and music tech marketing veteran. As audio/production consultant and composer, he provides production services and music for artists, institutions, and creatives working in TV, film, and other media.
Recently, Steve has been expanding his performance palette and sonic textural capabilities. He is currenting working on three original projects. Folktales and Fusions, along with Guitarscapes the music at the center of Earth Movie Theatre “Live”, an immersive multimedia production and The Barney Set, a straight ahead jazz set in the styling of the late hard-bop guitar great Barney Kessel are the original projects that will reach fruition in both live performances and music releases in 2024 and 25’.
MUSIC PROJECTS
NoHo Rag is a barnstorming romp and ear bending Folktales and Fusions original.
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Folktales & Fusions runs the gamut from barnstorming romps and Frissel-tinged Americana, to expressive classically derived fusions.
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Here’s a sampling of a wonderful album in the works by Chris Cheek and Angie Shyr.
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I had the opportunity to master Angie Shyr's mesmerizing track "Sealed Off City" for the upcoming video release.
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Here's a nice track I played on for longtime collaborator Bob Ponte Project in the works.
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MIXING, MASTERING AND RESTORATION...
Jane Goodall's "My Life With Chimpanzee's" I Feel fortunate to contribute my craft to an ever-enduring legacy.
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“Our Promise: 100 years of the American Battle Monuments Commission” is a 56-minute documentary. Acore I mixed for gifted composer/producer Ruth Mendelson.
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ORIGINAL SOUNDTRACK MUSIC...
Windows on Earth is a 48-minute movie with evocative and unique views of Earth captured from the International Space Station. The film features music from my Audnoyz Project.
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ORIGINAL MUSIC...
Audnoyz Project Vol. 4 envelops you in an aural journey, filled with unexpected genre juxtapositions and eclectic sonic pairings
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“Thomas’s stuff blends nouveau-bop, blues and world music into a uniquely peppy, poppy fusion sound."
Boston Globe
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